{"title":"Tube-Tech","description":"","products":[{"product_id":"cl-1b","title":"Tube-Tech CL 1B","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCL1B: The Industry Standard Vocal Compressor!\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors. Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCL1B is by far the most popular TUBE-TECH unit, and this is not without a reason: For vocals and instruments like guitar bass and keys (regardless of musical genre) the CL1B delivers extremely musical and smooth compression, just what’s needed to make the track fit into your mix without any muddiness or distortion, even at very extreme settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe CL1B is VERY easy to use; just dial in what you need! You’ll hear and feel the action immediately and don’t have to doubt whether the setting works, it’s always obvious.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith thousands of units sold, the CL 1B is by far the most successful TUBE-TECH device to date, and its distinctive sound can be heard on countless legendary recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe number of hit records featuring the CL1B is countless and the rule is that the majority of all top singers and musicians demands the CL1B for their recordings regardless of the genre they perform. As an example, it’s well known secret that all the big Hip Hop \/ Rap stars depend heavily on the CL1B for their vocal performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e The TUBE-TECH CL 1B Compressor is an optical, all tube based compressor. The unit features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits – one for fixed and one for variable Attack\/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control.A dedicated Bus selector with three positions (Off, Bus 1, Bus 2) is used whenever you want to link several compressors together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe gain-reduction element is followed by a tube-based push-pull amplifier with variable gain up to 30 dB. Input and output transformers have a static-screen between the primary and secondary wirings. Both Input and Output are balanced as well as fully floating.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eUnique, low-distortion optical gain reduction element\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube based push-pull amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFrequency response @ -3 dB: 5 Hz to 25 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow noise: \u0026lt; -75 dBU @ 30 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVariable ratio from 2:1 to 10:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContinuously variable attack and release times\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput gain: Off to +30 dBU\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVariable threshold: Off to -40 dBU\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: 600Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInterconnection of several compressors via two busses\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVU meter shows input, compression or output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClickless In\/Out switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e \u003cstrong\u003eFAQ: Opto Compressors CL 1A and CL 1B difference\u003cbr\u003e \u003cbr\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe circuit and functions are exactly the same. The amplifier section in the CL 1A is hardwired.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn the CL 1B the transformers and the tubes are placed inside the unit on a printed circuit board. The control circuit is on a PCB in both units.\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003e**March 2022 5 month lead time from order.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184269504564,"sku":"","price":91600.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/tube-tech-cl-1b-front.jpg?v=1525692060"},{"product_id":"cl-2a","title":"Tube-Tech CL 2A","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCL 2A DUAL OPTO COMPRESSOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels.\u003c\/p\u003e\n\u003cp\u003eCL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for.\u003c\/p\u003e\n\u003cp\u003eUse it on keyboards, guitars, vocals or even on the mix buss – the result is always musical, smooth and transparent. Among engineers, the CL 2A is loved because of its ability to keep instruments at their right place in the mix, while still retaining their dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain reduction element is placed after the input transformer and followed by an all tube-based output amplifier with a +10 dB gain.\u003c\/p\u003e\n\u003cp\u003eA link switch is provided for use of the two separate compressors in stereo mode or for linking several compressors together.  Both Input and Output are balanced and have fully floating transformers with a static screen.\u003c\/p\u003e\n\u003cp\u003eThe power supply and the sidechain circuit are based on solid state designs. With the exception of the anode voltage for the output stage, all DC voltages are stabilized.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow-distortion optical gain reduction element\u003c\/li\u003e\n\u003cli\u003eAll-tube based push-pull amplifier\u003c\/li\u003e\n\u003cli\u003eFrequency response @ -3 dB: 5 Hz to 60 kHz\u003c\/li\u003e\n\u003cli\u003eLow noise: \u0026lt; -80 dBU @ 10 dB gain\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/li\u003e\n\u003cli\u003eVariable ratio from 1.5:1 to 10:1\u003c\/li\u003e\n\u003cli\u003eContinuously variable attack and release times\u003c\/li\u003e\n\u003cli\u003eOutput gain: Off to +10 dBU\u003c\/li\u003e\n\u003cli\u003eVariable threshold: Off to -20 dBU\u003c\/li\u003e\n\u003cli\u003eVU meters show output or compression\u003c\/li\u003e\n\u003cli\u003eLinkable for stereo applications\u003c\/li\u003e\n\u003cli\u003eInterconnection of several compressors via two busses\u003c\/li\u003e\n\u003cli\u003eClickless In\/Out relay\u003c\/li\u003e\n\u003cli\u003eConductive plastic potentiometers\u003c\/li\u003e\n\u003cli\u003eGold plated switches\u003c\/li\u003e\n\u003cli\u003eInput and output are transformer balanced and fully floating\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFAQ: What’s the difference between CL1B and CL2A?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH CL2A design is \u003cem\u003ebased\u003c\/em\u003e on the famous CL1B but not exactly the same.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eCL2A versus CL1B: CL2A is based on the CL1B, but it”s not a stereo CL1B!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSome differences exist between the two units: CL2A features a different optical element, with a little more “soft”or “rounded” action compared to the element in the CL1B.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe amount of transparency you get when using the CL2A is similar to the CL1B.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe tube amplifier circuit is basically the same, with the main difference being that the input transformer and the tube amps in the CL2A delivers a more “normal” amount of gain compared to the CL1B\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe control circuit has been changed so the CL2A”s max release time is two seconds.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e **Check lead time before order\u003c\/em\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184278319156,"sku":"","price":100975.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/CL2AFront.jpg?v=1525692172"},{"product_id":"hlt-2a","title":"Tube-Tech HLT 2A","description":"\u003ch3\u003e\u003cspan\u003eHLT 2A | A NEW APPROCH TO EQ\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe midrange T-Filter “tilts” the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a “go-to” equalizer in high-end mastering houses,smaller project studios, and everything in between.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, the functionality of the HLT-2A is unique in the Tube-Tech line – and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi\/Lo cut filters. The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi\/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe low and high cut filters are also passive with a slope of 6dB\/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTube based push-pull amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e resp. @ -3 dB: 5 Hz – 55 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow noise: \u0026lt; -80 dBU @ 0 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube active\/passive EQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFILTERS:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow cut: 18, 25, 40, 60, 85 Hz, 6db\/octave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLow shelving: 18, 37, 80, 180, 370, 800 Hz. Gain: +\/\u003c\/span\u003e‑\u003cspan\u003e12dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHigh shelving: 1, 2, 5, 10, 15, 22 kHz Gain: +\/\u003c\/span\u003e‑\u003cspan\u003e12dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e-filter: 0,5, 1, 2kHz. Gain: +4\/-7 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHigh cut: 12, 15, 18, 20, 25 kHz, 6db\/octave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTracking between channels: +\/-0,3 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: \u0026gt;10 kΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance: \u0026lt; 60Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHow Does It Sound?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH HLT 2A marks a different approach to EQ’ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. Simply put, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo\/Mid frequency T just creates a ton of very nice EQ shaping possibilities!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in\/out switch. The low and high cut filters are also passive with a slope of 6dB\/octave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastering Version\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA mastering version of the HLT2A with stepped pots and a smaller and more detailed range for the shelf and T- filter EQ is now shipping!\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184308662324,"sku":"","price":113030.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/HLT2A-Perspective_Hi_res.jpg?v=1525692458"},{"product_id":"hlt-2am","title":"Tube-Tech HLT 2AM","description":"\u003ch3\u003e\u003cspan\u003eHLT 2A | A NEW APPROCH TO EQ\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe midrange T-Filter “tilts” the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a “go-to” equalizer in high-end mastering houses,smaller project studios, and everything in between.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, the functionality of the HLT-2A is unique in the Tube-Tech line – and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures and Technical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi\/Lo cut filters. The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi\/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe low and high cut filters are also passive with a slope of 6dB\/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unit is all tube based except for the power supply, input and output have fully floating transformers and all DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTube based push-pull amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e resp. @ -3 dB: 5 Hz – 55 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow noise: \u0026lt; -80 dBU @ 0 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube active\/passive EQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFILTERS:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow cut: 18, 25, 40, 60, 85 Hz, 6db\/octave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLow shelving: 18, 37, 80, 180, 370, 800 Hz. Gain: +\/\u003c\/span\u003e‑\u003cspan\u003e12dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHigh shelving: 1, 2, 5, 10, 15, 22 kHz Gain: +\/\u003c\/span\u003e‑\u003cspan\u003e12dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e-filter: 0,5, 1, 2kHz. Gain: +4\/-7 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHigh cut: 12, 15, 18, 20, 25 kHz, 6db\/octave\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTracking between channels: +\/-0,3 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: \u0026gt;10 kΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance: \u0026lt; 60Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHow Does It Sound?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH HLT 2A marks a different approach to EQ’ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. Simply put, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo\/Mid frequency T just creates a ton of very nice EQ shaping possibilities!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in\/out switch. The low and high cut filters are also passive with a slope of 6dB\/octave.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastering Version\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA mastering version of the HLT2A with stepped pots and a smaller and more detailed range for the shelf and T- filter EQ is now shipping!\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184332025908,"sku":"","price":86690.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/HLT2A-Perspective_Hi_res_528fa3e3-42b4-48ce-91a2-8cc733e7f251.jpg?v=1525692669"},{"product_id":"lca-2b","title":"Tube-Tech LCA 2B","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLCA 2B DUAL CHANNEL TUBE VCA COMPRESSOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LCA 2B is an all-tube VCA compressor\/limiter with two independent, linkable channels. It’s a true TUBE VCA compressor, using a tube as the VCA (voltage controlled amplifier). This kind of compressor is also known as a Vari Mu compressor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTUBE-TECH LCA 2B is one of the most powerful and versatile VCA compressors in the market: LCA 2B is extremely versatile, and it works equally well on vocals, instruments and as a bus compressor. Due to its very fast and smooth attack it is also perfect for drums and percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere’s literally nothing the LCA 2B can’t handle very well: Powerful bus compression (it’s a dream used for bus compression both inserted and in parallel.) and fine single instrument and voice compression. The action of the LCA2B is always easy to hear, so finding the right setting on this compressor is a not complicated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLCA2B is designed to be the TUBE-TECH equivalent of the Fairchild 670, but only in terms of action, not the actual electronics. It is designed with the Fairchild in mind, delivering similar action but retaining its transparency or high frequencies, even when pushed to the limit). The fixed attack\/release constants are duplicates of the Fairchild constants.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen you want even more control, power and wildness than our famous CL1B can deliver, try the LCA 2B that has found good use in many top live engineers’ touring racks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH LCA 2B is a two-channel unit with an independent compressor and limiter per channel. The unit is all tube based (except for the power supply and side chain circuit). The VCA (1 dual triode) is placed between the input transformer and the output stage (2 dual triodes).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe audio signal is picked up after the VCA and fed to the side chain circuit. The control signal from the compressor and from the limiter is combined and sent to the link switch and to the control amp, which feeds the VCA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two bi-directional link busses are accessible at two 1\/4\u003c\/span\u003e″\u003cspan\u003e stereo jack sockets on the rear panel. The channels can be linked together for stereo applications and also linked to other LCA 2B\u003c\/span\u003e’\u003cspan\u003es via the two link busses and a standard stereo jack\/jack cord.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe compressor has six att\/rel presets ( Fairchild time constants ) as well as manual control. The limiter att\/rel is fixed. The LED display is fed from the control amp. The limiter LED is fed from the limiter buffer. The audio path is fully symmetrical from input to output. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eGeneral\u003cbr\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTube VCA compressor\/limiter\u003c\/li\u003e\n\u003cli\u003eAll-tube based push-pull amplifier\u003c\/li\u003e\n\u003cli\u003eFrequency response @ -3 dB: 5 Hz to 50 kHz\u003c\/li\u003e\n\u003cli\u003eLow noise: \u0026lt; -85 dBU @ 10 dB gain\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/li\u003e\n\u003cli\u003eSeparate compressor and limiter\u003c\/li\u003e\n\u003cli\u003eOutput Gain: -6 dB to +10 dB\u003c\/li\u003e\n\u003cli\u003eInterconnection of several compressors via two busses\u003c\/li\u003e\n\u003cli\u003eClickless In\/Out relay\u003c\/li\u003e\n\u003cli\u003eConductive plastic potentiometers\u003c\/li\u003e\n\u003cli\u003eGold plated switches\u003c\/li\u003e\n\u003cli\u003eInputs and outputs are transformer balanced and fully floating\u003c\/li\u003e\n\u003cli\u003eLinkable for stereo applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eCompressor\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVariable ratio (1.6:1 to 20:1)\u003c\/li\u003e\n\u003cli\u003eVariable threshold (Off to -20 dBU)\u003c\/li\u003e\n\u003cli\u003eContinuously variable attack and release times\u003c\/li\u003e\n\u003cli\u003eChoice between 6 presets (Fairchild) and manual attack\/release control\u003c\/li\u003e\n\u003cli\u003eLED Gain reduction display\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan\u003eLimiter\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVariable threshold (Off to 0 dBU)\u003c\/li\u003e\n\u003cli\u003eAttack: 0.8 ms – release: 0.5 sec\u003c\/li\u003e\n\u003cli\u003eSeparate Limiter On\/Off switch\u003c\/li\u003e\n\u003cli\u003eLED indication of limiter action\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFAQ: LCA2B Tube Compressor Calibration\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike any other compressor, that uses tubes for theVCA, LCA2B occasionally needs calibration. We recommend that the unit should be calibrated at least once a year. In real life, depending on the compression tube (ECC81) the LCA2B will often work perfect for a much longer period of time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eA quick test will tell you if calibration needed:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTurn the THRESHOLD for both compressor and limiter fully CCW.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConnect a 1kHz tone at a level of 0 dBU (-4VU) to the input and turn the LIMITER THRESHOLD slowly CW until the LIM led (RED) turns slightly on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf the LIM led (RED) turns on abruptly or even starts oscillating, the balance should be calibrated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis test can also be done with audio: If the LCA2B needs calibration, the compressor starts pumping with this extreme setting.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184354373684,"sku":"","price":113030.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/LCA-2B-hi-res-perspective-2.jpg?v=1525692822"},{"product_id":"me-1b","title":"Tube-Tech ME 1B","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eME 1B MIDRANGE EQUALIZER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5\u003cbr\u003e for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMid frequencies have always been very important, when EQ’ing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH ME 1B is a passive tube based midrange equalizer developed tomatch and surpass the demands of even the most discerning studio engineers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH ME 1B Midrange Equalizer contains a low frequency boost section for peaking, a mid frequency attenuation for dipping as well as a high frequency boost section for peaking. The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInput and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wiring's.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTube based push-pull amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFrequency response @ -3 dB: 5 Hz to 40 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow Noise: \u0026lt; -80 dBU @ 0 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e5 LF peaks: 0.2, 0.3, 0.5, 0.7, and 1 kHz (0 to +10 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e11 MF dips: 0.2, 0.3, 0.5, 0.7, 1, 1.5, 2, 3, 4, 5 and 7 kHz (0 to -10 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e5 HF peaks: 1.5, 2, 3, 4, 5 kHz (0 to +8 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: 600Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo insertion loss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFAQ: Midrange EQ ME1A and ME1B differences?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe circuit and functions are exactly the same. The amplifier section in the ME 1A is hardwired.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e In the ME 1B the transformers and the tubes are placed inside the unit on a printed circuit board.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184383078452,"sku":"","price":82225.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/ME-1B-hi-res-perspective-2.jpg?v=1525692935"},{"product_id":"mec-1a","title":"Tube-Tech MEC 1A","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMEC1A RECORDING CHANNEL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe MEC1A is an all-tube mono recording channel, combining the classic TUBE-TECH designs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e MP1A mic preamp, EQ 1A active EQ and CL2A compressor in one powerful, 2U recording package.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe MEC1A delivers true TUBE-TECH sound: Full and warm, yet open and transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMEC1A is a compact and cost-effective solution if you need a superior front end that will deliver top quality recordings, no matter what source you are working with.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTube-based “three-in-one” recording solution:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eFreq. response @-3 dB: 5 Hz – 60 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow noise: \u0026lt; -85 dBU @ 10 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput gain: Off to +10 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClickless swap relay (EQ \u0026lt;-\u0026gt; comp)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSeparate in\/out switch per section\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGold plated switches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFully regulated power supply with torodial transformer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube design (except PSU \u0026amp; sidechain circuit)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTechnical Description and Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH MEC 1A Recording Channel is a one channel recording unit, featuring a microphone preamplifier equalizer and compressor. At the heart of the shelving and bell filters you will find a tube operational amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe MEC 1A is all tube based except for the power supply. Input and Output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone pre-amplifier:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eGain: +20 to +70 dB (DI:10-60 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: \u0026gt; 1.2 kΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e+48V phantom power, phase reverse, -20 dB pad, low cut\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDI input impedance \u0026gt; 1 MΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEqualizer: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eActive, tube based equalizer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree bands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e6 low shelving frequencies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e6 high shelving frequencies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBell-type Mid with 12 selectable frequencies \u0026amp; variable Q\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eOpto Compressor:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eLow distortion optical gain reduction element\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRatio: 1.5:1 to 10:1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVariable attack and release\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVU meter shows output or compression\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLinkable for stereo applications\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184410800180,"sku":"","price":125530.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/MEC-1A-hi-res-perspective-2.jpg?v=1525693082"},{"product_id":"mp-2a","title":"Tube-Tech MP 2A","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMP2A DUAL MIC PREAMPLIFIER AND DI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMP2A Description\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe MP 2A is a combined mic preamp\/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMP2A is the second in the new range of upgraded microphone preamplifier\/DI’s.( The modular PM1A was the first.)\u003cbr\u003e These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre’s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSerious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI’s, delivering world class sound for bass and guitar DI recordings. You simply won’t find a better DI than this!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe TUBE-TECH MP2A is a combined Microphone Preamplifier and Direct Instrument amplifier.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe input provides switchable +48 V phantom power, selectable mic. impedance of 600\/1200\/2400 Ohm, phase reverse switch, low-cut filter (20 Hz\/40 Hz\/off), as well as a switchable -20 dB pad.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGain is adjustable from +10 dB to +70 dB.( 10db steps, coarse +2 dB steps, fine.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Direct Instrument Input are unbalanced with a gain ranging from + 10 dB to + 60 dB.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe amplifier is all tube. Input transformer is enclosed in a MU-metal can. Input and output transformers come with a static screen between the primary and secondary wirings.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe input and output are balanced as well as fully floating.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube design featuring push-pull output amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFrequency response @ -3 dB: 5 Hz to 60 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTypical noise: 5 dB @ 200Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGain: +10 dB to +70 dB in 2 dB steps – DI gain: 0-60 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelectable mic input impedance: 600 Ω\/1.2 kΩ\/2.4 kΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelectable pad in front of input transformer (-20 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSelectable +48 V phantom power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow cut filter (20 Hz\/40 Hz\/Off)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePhase reverse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOverload indicator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGold plated switches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDI jack input for a variety of instruments\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDI input impedance \u0026gt; 1 MΩ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMU-metal shielded input transformer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and outputs are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184440717364,"sku":"","price":95620.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/MP2A_drejet.jpg?v=1525693234"},{"product_id":"pe-1c","title":"Tube-Tech PE 1C","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePE 1C PROGRAM EQUALIZER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1C is by far the easiest way to achieve this unique and coveted sound.\u003c\/p\u003e\n\u003cp\u003eThe PE 1C low end section combines two separate passive EQ filters with slightly different cut\/boost frequencies. When the two sections are combined, this results in truly unique EQ curves, often named the “Low End Trick” and very useful for cleaning up low\/mid frequencies.\u003c\/p\u003e\n\u003cp\u003eThe high frequency and midrange bands really stand out in terms of transparency and clarity, and the PE 1C is broadly regarded as one of the world’s finest passive tube based equalizers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHistory and Details\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The Tube-Tech program EQ PE1A is exactly the same as Pultec program EQ!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis was our message when promoting the very first Tube-Tech equalizer back in 1985.\u003c\/p\u003e\n\u003cp\u003eThe Tube-Tech PE1A program equalizer was originally made as a European exact equivalent of the US Pultec program eq EQP1A, that became very popular in the US during the eighties in recording studios in New York and LA. The smooth sound of the Pultecs made these eq”s very different and attractive.\u003c\/p\u003e\n\u003cp\u003eThe challenge of this illusive sound motivated Tube Tech founder and designer John Petersen to design and manufacture something that sounded just excately the same, featuring equal specs for all components .\u003c\/p\u003e\n\u003cp\u003eThe magic test was mixing with Pultec EQ1PA on the left channel and Tube Tech PE1A on the right channel and check the stereo image: It had to remain perfect on all settings!\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe PE1A was the first product carrying the TUBE-TECH name 28 years ago.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH PE1C is a passive tube based program equalizer based on the design of the old PULTEC EQP1A, featuring an all passive eq section and a high quality op amp. All components used are of the highest standard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH PE 1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency boost section (peaking). The high frequency section has variable bandwidth as well as attenuation (shelving). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe filter section is of the passive type followed by a tube based push-pull amplifier to restore the gain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInput and output are transformer balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTube based push-pull amplifier\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFreq. resp. @ -3 dB: 5 Hz – 40 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e Low noise: \u0026lt; -85 dBU @ 0 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e CMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll-tube passive EQ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4 LF frequencies: 20, 30, 60 and 100 Hz  (Boost: 0 to +14 dB, attenuation: 0 to -18 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e10 HF boosts with variable bandwidth: 1, 1.5, 2, 3, 4, 5, 8, 10, 12 and 16 kHz (0 to +18 dB w\/ sharp Q, 0 to 10 dB w\/ broad Q)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3 HF attenuations: 5, 10 and 20 kHz (0 to -18 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: 600Ω\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo insertion loss\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClickless In\/Out switch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and output are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSound:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe PE1C is one of the very few program eq that does exactly the same thing as the original Pultecs did when new.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe write “did” because today the Pultecs often are more “grainy” sounding today due to age and very old components. The high end boost of the PE1C is a one off a kind and nothing comes close.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTry it on dark sources like a Coles ribbon mike and hear how nice the top end gets opened up without harshness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sound obtained with the PE1C is impossible to get with other standard active eq”s due to the filter types, the tube gain stages and transformers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere’s a lot of creative possibilities and magic hidden in this seemingly simple EQ: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe low end section is a combination of two separate passive eq filters with a little different cut\/boost frequencies, even though the front panel shows the same frequencies for these functions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn reality the boost frequencies are a little lower than the attenuation frequencies, something the original Pultecs did and the Tube Tech carries over..  \u003cstrong\u003e“THE LOW END TRICK” \u003c\/strong\u003eThis feature results in special eq curves when the two sections are combined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“THE TOP END”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e A smooth top end on sources is the key to improved definition without getting “bright”or agressive. This is very hard to accomplish with modern active eq’s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe PE1C features extended mid\/hi boost ranging from 1 Khz to 16 Khz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOverall this smooth passive eq is equally suited to many jobs in the studio, from opening up vocals and guitars to equalizing bass drums in the most exciting way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eImportant! \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePE1C is NOT a dirty sounding tube equalizer, and so wasn”t the Pultec. Classic well built Tube gear always featured extended frequency response and open sound. This is what can be achieved with well designed Tube Based Circuits and it’s the backbone of the TUBE-TECH sound.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184472272948,"sku":"","price":74725.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/PE-1C-hi-res-perspective-2.jpg?v=1525693385"},{"product_id":"smc-2b","title":"Tube-Tech SMC 2B","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSMC 2B MULTIBAND OPTO COMPRESSOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks.\u003c\/p\u003e\n\u003cp\u003eThe SMC2B is one of the few audio processors, that is very hard to bypass, even after a short listening test, and it will tend to stay inserted forever because of the color and dynamics it can add to your source material. Try it for mixing, and hear the magic no other compressor can deliver! For Live use the SMC2B is adding quality and musicality to top touring acts.\u003c\/p\u003e\n\u003cp\u003eAs an extra bonus feature, SMC2B can also be used to solve \/ remove annoying frequencies in basses, vocals, etc. It can even be set up as a d-esser. SMC2B can be very effective when recording very dynamic vocalists without having to spend hours sorting out problems after the recording has been done.\u003c\/p\u003e\n\u003cp\u003eThe SMC 2B is one of the most creative and musical audio tools available, and an all-time favorite for countless sound engineers around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFeatures and Technical Specifications\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVariable crossover points ensure precise control with all three bands of opto-compression. Independent band specific Threshold, Ratio, Attack, Release \u0026amp; Gain parameters make the SMC 2B as flexible as it is accurate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid \u0026amp; High) by 6 dB\/octave x-over networks with variable frequencies: 60-1200 Hz for Low\/Mid band and 1,2-6 kHz for the Mid\/High band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe design of the x-over networks optimizes the summing of all three bands, resulting in a flat frequency response (within +\/-0,25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoth Input and Output are balanced and have fully floating transformers with a static screen. The power supply and the sidechain circuit is based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe World’s only all-tube multiband compressor design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow distortion optical gain reduction elements\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFrequency response: @ -3 dB: 5 Hz to 60 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLow noise: \u0026lt; -60 dBU @ 10 dB gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThree bands per channel with variable crossover frequencies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVariable threshold, ratio, attack and release for all three bands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaster output gain: Off to +10 dB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalance Control (+\/-1,5 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLED display shows compression\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eClickless In\/Out relay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductive plastic potentiometers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGain Control for each band\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGold plated switches (SMC 2BM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn- and outputs are transformer balanced and fully floating\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFAQ: What’s the difference between SMC2B and SMC2A?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe only difference is that the SMC2B has an output balance control for fine tuning small balance differences between channels.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184499535924,"sku":"","price":114355.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/products\/SMC-2B.jpg?v=1525693502"},{"product_id":"smc-2bm","title":"Tube-Tech SMC 2BM","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSMC 2BM MULTIBAND MASTERING COMPRESSOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eTUBE-TECH SMC2BM is the mastering version of the famous SMC2B Stereo Multiband Compressor. On SMC2BM all audio controls feature High Quality switches, fitted with precision resistors, to ensure extreme accuracy in settings and recals.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eThe SMC2BM has become one of the favorite mixing\/mastering compressors for many top mastering engineers around the world. The sound of SMC2BM is the same as SMC2B. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks.\u003c\/p\u003e\n\u003cp\u003eThe SMC2B is one of the few audio processors, that is very hard to bypass, even after a short listening test, and it will tend to stay inserted forever because of the color and dynamics it can add to your source material. Try it for mixing, and hear the magic no other compressor can deliver! For Live use the SMC2B is adding quality and musicality to top touring acts.\u003c\/p\u003e\n\u003cp\u003eAs an extra bonus feature, SMC2B can also be used to solve \/ remove annoying frequencies in basses, vocals, etc. It can even be set up as a d-esser. SMC2B can be very effective when recording very dynamic vocalists without having to spend hours sorting out problems after the recording has been done.\u003c\/p\u003e\n\u003cp\u003eThe SMC 2B is one of the most creative and musical audio tools available, and an all-time favorite for countless sound engineers around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures and Technical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TUBE-TECH SMC 2BM Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid \u0026amp; High) by 6 dB\/octave x-over networks with 12 selectable frequencies: 60 – 1200 Hz for Low\/Mid band and 6 selectable frequencies: 1,2 – 6,0 kHz for the Mid\/High band.\u003c\/p\u003e\n\u003cp\u003eSwitchable crossover points ensure precise control of all three bands of opto-compression. Independent band specific Threshold, Ratio, Attack, Release \u0026amp; Gain parameters make the SMC 2BM as flexible as it is accurate.\u003cbr\u003e Gain controls are fitted with 12 position gold plated switches with 1dB\/step. Threshold, Ratio, Attack, Release and Balance controls are fitted with potentiometers with 31 detents.\u003c\/p\u003e\n\u003cp\u003eThe design of the x-over networks optimizes the summing of all three bands, resulting in a flat frequency response (within +\/-0,25 dB), when the gain controls for each band are set at the same level.\u003c\/p\u003e\n\u003cp\u003eThe three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls.\u003c\/p\u003e\n\u003cp\u003eBoth Input and Output are balanced and have fully floating transformers with a static screen. The power supply and the sidechain circuit is based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe World’s only all-tube multiband compressor design\u003c\/li\u003e\n\u003cli\u003eLow distortion optical gain reduction elements\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ -3 dB: 5 Hz to 60 kHz\u003c\/li\u003e\n\u003cli\u003eLow noise: \u0026lt; -60 dBU @ 10 dB gain\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt; 60 dB @ 10 kHz\u003c\/li\u003e\n\u003cli\u003eThree bands per channel with variable crossover frequencies\u003c\/li\u003e\n\u003cli\u003eVariable threshold, ratio, attack and release for all three bands\u003c\/li\u003e\n\u003cli\u003eMaster output gain: Off to +10 dB\u003c\/li\u003e\n\u003cli\u003eBalance Control (+\/-1,5 dB)\u003c\/li\u003e\n\u003cli\u003eLED display shows compression\u003c\/li\u003e\n\u003cli\u003eClickless In\/Out relay\u003c\/li\u003e\n\u003cli\u003eConductive plastic potentiometers\u003c\/li\u003e\n\u003cli\u003eGain Control for each band\u003c\/li\u003e\n\u003cli\u003eGold plated switches (SMC 2BM\u003c\/li\u003e\n\u003cli\u003eIn- and outputs are transformer balanced and fully floating\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFAQ: What’s the difference between SMC2B and SMC2A?\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe only difference is that the SMC2B has an output balance control for fine tuning small balance differences between channels.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":8184529256500,"sku":"","price":148285.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/files\/SMC-2BMFront.jpg?v=1774431213"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2331\/3623\/collections\/tubetech_logo.png?v=1772378651","url":"https:\/\/eaproaudio.co.za\/collections\/tube-tech.oembed?page=3","provider":"EA Pro Audio ","version":"1.0","type":"link"}